Roberta Sá re-presents the show 'Tudo que cantei sou' with the Nova Orquestra at the Theatro Municipal do Rio de Janeiro Rodrigo Goffredo ? ANALYSIS ? Roberta Sá's emotion when stepping onto the stage at the Theatro Municipal do Rio de Janeiro to perform with an orchestra last night, Monday, July 27th, went beyond her musical prowess. The singer's voice broke when she said that her daughter Lina – born on December 19, 2022, the artist's 42nd birthday, and currently three and a half years old – was in the audience at the most noble theater in the city of Rio de Janeiro (RJ). That was when Roberta spoke of her dream of “a future for our girls with more choices and freedom”. If the audience was home to men and women of various generations, the stage was territory occupied almost exclusively by women. At the head of the Nova Orquestra, with an entirely female line-up under the direction of conductor Ludhymila Bruzzi, the singer re-presented the show “Tudo que cantei sou” (2025) in a symphonic setting. The presentation inaugurated the “Encontros” series. With the orchestra and musicians Alaan Monteiro (mandolin) and Gabriel de Aquino (guitar), Roberta Sá followed the same script as the show's premiere in the city, in June 2025, but the orchestra was not the icing on the cake. With the instrumentalists dressed in black, as well as Roberta and the two musicians who already accompanied the singer in this show designed in 2025 to celebrate the artist's 20-year career, counted from the release of the album “Braseiro” (2005), the Nova Orquestra was the cake's own dough. This light and elegant sound mass covered songs such as “Pavilhão de mirrors” (Lula Queiroga, 2012), harmonizing with the artist's clear singing and enhancing the beauty of Roberta Sá's repertoire. With good reason, the singer boasted of having won sambas from Adriana Calcanhotto (“Me erra”) and Martinho da Vila (“Tomorrow is Saturday”), both performed by Roberta on the album “Delírio” (2015). Regardless of the orchestral framework, the chorus of the samba “Sem warn” (2022) was intoxicating with the inspiration of composer Wanderley Cardoso. And what can we say about ijexá “Água doce” (2010), a delicacy by Bamba Bahian Roque Ferreira, present with two other songs in the script? What a masterpiece! Of singing while praying. It was, after all, a gala night for Roberta Sá, as the artist herself celebrated on stage. “I've been on this stage (at Municipal), but never with my repertoire”, highlighted the singer in her first speech addressed to the public. The show “Tudo que cantei sou” flowed perfectly in the orchestral format and was filmed. If the audiovisual recording was made with professional intentions, Roberta Sá's Gala night will deservedly be immortalized. Roberta Sá makes her first performance at the Municipal Theater of Rio de Janeiro Thaty Aguiar / Disclosure