Juliana Linhares debuts the tour of the show 'Until you tire of tiredness' in the city of Rio de Janeiro (RJ) last night, July 16th Rodrigo Goffredo ? SHOW REVIEW Title: Until you tire of tiredness Artist: Juliana Linhares Date and place: July 16th, 2026 at Teatro Claro Mais Rio (Rio de Janeiro, RJ) Rate: ? ? ? ? ? ? “She’s the queen of music in Brazil!” Delivered after Juliana Linhares sang “A palo seco” (Belchior, 1973) in an intoxicating number finished with echoes and reverbs that emphasized the lines “I want this song to be crooked / Like a knife, cut your flesh”, the sentence of the anonymous spectator echoed throughout the audience at Teatro Claro Mais Rio last night, Thursday, July 16th. It was the national debut of the show “Até tired o tired”, based on the repertoire of the album of the same name released by the artist on May 8th. The theater was overcrowded – with extra chairs and some spectators standing in the side aisles – and the feeling of enchantment seemed to be only one in the entire audience. Less than three months after confirming her greatness by releasing what can be considered the best Brazilian album of 2026, with a repertoire that captures the state of anxiety and exhaustion of humanity in the sweat of the incessant lyre of the hi-tech digital era, Juliana Linhares presents a show of the same stature, leveraged by the artist's strong scenic presence. Juliana Linhares in different moments and moods of the premiere of the show 'Até tired the tired' at Teatro Claro Mais Rio Rodrigo Goffredo / Montagem g1 Yes, “Até tired o tired” is a show that enthrones this singer, songwriter and actress from Rio Grande do Norte as one of the greatest artists in Brazil. The show turned out to be even more cohesive than the artist's already incandescent previous show, “Nordeste fiction” (2021), which broke out five years ago in the same city of Rio de Janeiro (RJ) in which “Até tired the tiredness” arrived on the scene. From the first to the last of the 18 numbers in the script, Juliana Linhares magnetized the viewer, presenting the eleven songs from the album “Até cansar o tired”, reviving three songs from the previous album “Nordeste fiction” (2021) – the dense song “Armadilha” (Caio Riscado and Juliana Linhares, 2021), “Bombinha” (Carlos Posada, 2021) and the xote “Balanceiro” (Juliana Linhares, Khrystal, Moyseis Marques and Sami Tarik, 2021) – and surprising by giving voice to a less heard composition from Alceu Valença's songbook, “Tesoura do desenvolvimento” (1991), a song to which the performer gave intense theatricality in the movement of the number that went beyond the stage, having been developed alongside the audience in the central corridor of the theater. “Tesoura do Desire” was one of the highest points of a show with a northeastern accent and occasional rock energy, orchestrated under the musical direction of multi-instrumentalist Elísio Freitas, guitarist of the band formed by Julia Rodrigues (drums), Lucas Videla (percussion), Paloma Ronai (accordion) and Nathanne Rodrigues (bass). Juliana Linhares wears a single costume (by Jailon Fernandes) that changes throughout the show 'Until you tire of tiredness' Rodrigo Goffredo / Montagem g1 With a single mutant costume created by Jailon Fernandes, Juliana Linhares evolved magnetically across the stage, creating different atmospheres in numbers that alternated more lively songs with thicker songs. Without ceasing to outline her own signature and without playing to the crowd, Juliana Linhares has established herself as the natural successor to Elba Ramalho – another singer and actress with an electrifying presence on the scene – in the northeastern musical dynasty. Part of Juliana's repertoire evolves in the cadence of genres such as xote, baião and frevo. And what a high-quality repertoire! If the composer showed progress in the album “Até cansar o tired” in relation to the already excellent authorial production of her first solo album “Nordeste fiction”, the singer also revealed herself to be skilled in fishing for pearls in the northeastern treasure chest such as “Ocauto do ass” (Elino Julião, 1967), a popular song that produced immediate empathy with the audience in a number initially performed a cappella. Not to mention that Juliana Linhares gives voice to contemporary wonders such as “Emaranhada” (2024), a masterpiece from the songbook of composer Juliano Holanda that dazzled the public, and like “Conseguiram, congratulations”, a sadly current song by Manduka (1952 – 2004) presented posthumously by Ilessi and Diogo Silli in 2020 in the songbook by the composer from Rio de Janeiro. Combined with the artist's sharp, knife-like singing, Juliana's elastic facial mask made the performer stand out on stage, as was evident in the first number, “Até tireding or tired” (Juliana Linhares and Jeff Lyrio, 2026), a song sung with a pillow as a scenic prop and with looks that enhanced the meaning of each verse. Sometimes exhilarating as in the baião “Vida vira” (Juliana Linhares, Josyara and Elisio Freitas, 2026) – sung with the artist lying on the stage, with her back to the audience, with her legs up and her head turned – and like in the xote “Tanto buliço” (Juliana Linhares and Khrystal Saraiva, 2026), sometimes more delicate as in the ballad “Tempos temporales” (Juliana Linhares and Juliano Holanda, 2026), heard in an introspective number with voice, guitar and accordion, Juliana Linhares' singing was light and seductive on stage, showing noticeable refinement in the details. Experts understood that the “Bandido!” inserted at the end of the song of “Mistério doobvious” (Luiz Gabriel Lopes, 2026) was an allusion to the fact that Ney Matogrosso had recorded this contemporary forró with the artist on the album “Até cansar oconsciente”. Juliana Linhares sings songs by Alceu Valença and the band Pietá, 'Tesoura do Desire' and 'Chama da Criança', in the script for the show 'Até Cansar o Fatigue' Rodrigo Goffredo / Montagem g1 Text by Juliana Linhares herself spoken by the artist in the middle of the show, signaling that the dream, faith and the life lived are the raw materials of “Até Cansar o Fatigue”. “I have a thirst for life”, pointed out the artist in the text. “In this unbridled solitude / I continue to lean on those who have faith / And I believe in enchanted forces / Flame of the child who still is”, highlighted the singer in “Chama da c