24-hour coverage PT
Breaking News Brazil and the world, minute by minute
Culture

‘I’m not Mr Saturday Night’: the highbrow brilliance of Ahir Shah, past winner of comedy’s top prize

Three years ago, he won the Edinburgh comedy award with a work in progress. Now he’s back with a show inspired by Gerard Manley Hopkins and Friedrich Nietzsche. Isn’t this all a bit grown-up? Among past winners of the Edinburgh comedy...

‘I’m not Mr Saturday Night’: the highbrow brilliance of Ahir Shah, past winner of comedy’s top prize
365 Summary

Not because Shah wasn’t a contender: he had been nominated twice before. But that year he arrived on the fringe with a mere work-in-progress, not even eligible for the award.

  • Shah’s director, the great Adam Brace, had recently died and the comic had just returned to the stage after a break from comedy.
  • But then Ends, a tribute to the performer’s late grandfather and a hymn to multicultural Britain, began gathering steam.

Editorial reading aid based only on information contained in this story and its identified source.

Three years ago, he won the Edinburgh comedy award with a work in progress. Now he’s back with a show inspired by Gerard Manley Hopkins and Friedrich Nietzsche. Isn’t this all a bit grown-up?

Among past winners of the Edinburgh comedy award, few seemed less likely when the starter’s pistol fired than Ahir Shah in 2023. Not because Shah wasn’t a contender: he had been nominated twice before. But that year he arrived on the fringe with a mere work-in-progress, not even eligible for the award. Shah’s director, the great Adam Brace, had recently died and the comic had just returned to the stage after a break from comedy. But then Ends, a tribute to the performer’s late grandfather and a hymn to multicultural Britain, began gathering steam. Shah reclassified it as a work-now-finished and, to a chorus of rapturous acclaim, it bagged the biggest prize in world comedy.

Three years on, he is returning with the follow-up: less uncut diamond this time and more, he hopes, a polished gem. But didn’t the success of Ends prove polish was unnecessary? “You can get very in your head approaching the fringe, thinking: ‘Well, it has to be absolutely locked in by August because x thousand pounds are on the line,’” Shah admits. So doing a work-in-progress allowed him to “quiet some of those voices – and have less of a panic attack about what you’re going to say”.