A play based on the writer’s dreamlike novel Hard-Boiled Wonderland and the End of the World is touring the world, riding a wave of interest in Japanese culture. Its creators talk about how they adapted the famously cryptic tale
‘Murakami saw his book come alive!’: the Japanese company bringing the author’s science fiction masterpiece to the stage
A play based on the writer’s dreamlike novel Hard-Boiled Wonderland and the End of the World is touring the world, riding a wave of interest in Japanese culture. Its creators talk about how they adapted the famously...
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A play based on the writer’s dreamlike novel Hard-Boiled Wonderland and the End of the World is touring the world, riding a wave of interest in Japanese culture. Its creators talk about how they adapted the famously cryptic tale Tatsuya Fujiwara is no stranger to London’s Barbican theatre. It was here nearly 30 years ago that one of Japan’s biggest film...
Key points
- A play based on the writer’s dreamlike novel Hard-Boiled Wonderland and the End of the World is touring the world, riding a wave of interest in Japanese culture.
- Its creators talk about how they adapted the famously cryptic tale Tatsuya Fujiwara is no stranger to London’s Barbican theatre.
- It was here nearly 30 years ago that one of Japan’s biggest film stars, now 44, made his stage debut.
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This story is part of the Dance coverage. The original reporting source identified by the page is The Guardian. Publication date: August 14, 2026 at 08:00.
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Tatsuya Fujiwara is no stranger to London’s Barbican theatre. It was here nearly 30 years ago that one of Japan’s biggest film stars, now 44, made his stage debut. He was just 15, plucked out of an audition of more than 5,000 hopeful youngsters by the revered theatre director Yukio Ninagawa for his play Shintoku-Maru. It kickstarted Fujiwara’s career, and three years later he landed a role in the cult dystopian film Battle Royale, going on to star in hit TV dramas and blockbuster films, all the while continuing to perform in Ninagawa’s acclaimed productions.
Now, Fujiwara returns to where it all began, to perform in a stage adaptation of Haruki Murakami’s science fiction novel Hard-Boiled Wonderland and the End of the World. The story alternates between two seemingly unrelated narratives: a cyberpunk thriller set in Tokyo, and a surreal fantasy that unfolds within a mysterious walled town. Directed by the French choreographer Philippe Decouflé, the play premiered in Tokyo in January, toured Japan until March, then Singapore in April. After the Barbican run this autumn, the tour will wrap up in Paris.
Source: The Guardian
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